choosing and hanging
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Mehregan Meysami’s practice is inextricably connected to the intangibility of time, memory, history, and structures of the language. She works media- archeologically with analog film and text, and her practice includes film, installation, sound, and works on paper. She is influenced by the historical turning points, and her work is often oriented around a political-historical horizon with a quasi-autobiographical approach, reflecting on representation, temporality, authenticity, presence, memory and time, but also erasure of those.
Mehregan Meysami has studied art in Tehran, Pasadena, Oslo and the Royal Institute of Arts in Stockholm, with a master's degree from latter in 2022. Se lives and works in Stockholm since her graduation.